MOVIE
Suk Suk
You don't often hear the phrase “the love that dare not speak its name” these days, but that is exactly what unfurls between Pak and Hoi, two closeted elderly men who meet for the first time in a Hong Kong public toilet.
A scene from Suk Suk
Pak (Tai Bao) is 70 and still driving a taxi; he is married to a sharp-tongued woman who accuses him of not caring enough about their daughter’s marriage prospects. Hoi (Ben Yuen) is 65 and retired; his son is a pious Catholic whose default attitude is disapproval.
People tell them this is their time to enjoy life, but do a few snatched afternoons in a grimy gay-friendly hotel count? Is love worth the loss of grandchildren, home, habit and the respect of their children?
Ray Yeung’s film is tender with its old bodies and wistful without being indulgent, notwithstanding its score of sappy Chinese shopping centre love songs.
Stephanie Bunbury is a film and culture writer for The Age and The Sydney Morning Herald.
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August 16, 2020 at 09:51AM
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A Hong Kong story of hidden love - The Age
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